Sunday, February 28, 2010

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Theatre with Thomas Ulrich

can think of
Carol Karnuth


For me, I wanted to be an actress.
plain or actress musical actress or singer - it was all "in the race." I even sang a lot but the acting was then in the end make the race ..
time, so with 15 or 16, I just do not know: how to become an actress at all?
came to musicals and amateur theater groups I AG with about 18 to the "young acting Accomplices," a free Juhendtheater in Cologne. After the excitement of changing schools from junior high school to grammar school, my head was full of learning, to make up material, notes - Schulkram indicated. There was no time for theater.
But I was lucky. In the eleventh grade, I met Alexandra Lowygina. She was a member of the "yaa` s "and told me about the premiere of Shakespeare's A Midsummer Night's Dream
. I had not forgotten my dream and was curious. Actually I can hardly put into words, but I say it this way: WHAM! I could not grasp what I saw, heard and felt! The fun, energy, virtuosity, the joy of the whole group this story to tell! I wanted to jump on stage and wanted to join in dancing, singing freak out, be
part of the history play, just. Each actor went off like a rocket! My desire to spill easily, was awake again - I had to be part of this force and to my goal of becoming an actress to pursue.
After I then later also Hamlet had seen in the field of honor Artheater yaa `s, there was no turning back. I was a member of the troupe and it was followed months that I have changed a lot. And now for quite pathetic, but true - that time my life changed.
Once or twice a week, acting training, improvisation, Keith Johnstone, Anton Chekhov, Peter Brook, fun, perception, short scenes .. I liked this world. I was there anyway "at home". I started with the help of Thomas, like many other yaa `s also to prepare for entrance exams to drama schools.



How can I describe the work of Thomas?
Thomas is one of the best teachers I ever had. I had always seen in him the feeling really is and that he says the right things at the right time.
Ok, again: I have with him a Julia (Romeo and Juliet) designed, which had my acting school (I studied at the Ernst Busch) first digest;)
We have a Zoe Mill have discovered that is still my greatest treasure .

to Julia: Say `s times like this, I am not the" classic "Julia-type. I am neither petite nor funny, and I saw 20 also older and more uncertain as 14th Hmm. With gentle tenderness and grace I came to Julia did not initially ran. It was not easy ciggy. Shortly before a Vorsprechrunde I rehearsed again broke Julia and me as one. "Game times the total hatred of Romeo." as Thomas said. Huh? "Try` s try. "
And suddenly I ranted not only against Romeo, I ranted on the night when she was only, I complained about the wait, I let out my energy and desire and hate was I no longer had to "adjust" in that sense. Although I played a Julia gushed out of me, the one expected Romeo, who was dressed more warmly. "If I am doing that throw me out." - "Then it is not the right school for up. "" Ok. Aha. Ok, so .. I do it so times .. "
with anticipation I could hardly wait for the audition. It was a test of courage, but it felt good.
So I travel to Berlin.
I'm sitting in a white nightgown and had the Vorsprechraum the feeling of looking like a Turkish midwife. To make matters worse plays a young charming, elegant, feminine person is the same Julia scene as I do. When I go on stage, I am almost does not matter if I am taken or not. If I Broach really, I'm really proud of myself first, I think. So rock 'n' roll, I'm crazy, in the final round, for it is so vital and fresh, my Julia. However, the teacher advises me with a wink, I should not exceed the limits of bad taste.
Thomas was right. And suddenly I was in the middle - one of those fresh, vital stage characters, played all they were worth, "went off like a rocket," as I had seen it at the summer night's dream.
Let's say it like it is: many thanks yaa `s have Thomas Ulrich (and themselves) to get some government acting schools and play today at the theater. Theatre with Thomas is a journey of discovery, it is fun, concentration, relaxation. It evokes what we "can" and not only what we can not yet.
to many other summer night dreams!

Wednesday, February 24, 2010

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other day in the newspaper

The other day I found following message in my mailbox.

As anyone knows what is good ... :-)

Monday, February 15, 2010

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1998 - It started with a dream ..

Adam Nümm


.. with a "Midsummer Night's Dream." A nice start for a text, but if it is to go here about the origins of the Cologne Youth Theatre Ensemble YAA! (Young acting Accomplices) to describe the late nineties, not quite the truth. Because, to be exact, it started earlier, almost two years and countless, sweaty, difficult, joyful and above all, before fluctuating hours.
begin - we met twice a week for three hours of play, experimentation, experience - we were usually not more than five. We, that was a few kids with fun the theater and especially Thomas Ulrich - the one who was then as now, tirelessly, if it was to move young people to play us. But more about Thomas and his huge, enriching work in another text.
the foundation of the group formed at that time three young people, Thomas "took" after his directorial work in child Stunksitzung from there. But soon should change this group, grow, shrink again - always there were new faces, new relationships and opportunities with each other and ultimately was just maybe the best thing that could happen: by the constant and for all the exciting new constellation found in the group a special intensity the working attitude. once again, someone new was there, so this was to show the other drive, what you were doing, that there was to discover something and that this was a special place. Sure must be said that this had not been so, if not the core of the group held the pole for months, if something was mau again, because there were hard times. Yet well I remember, as we have Ebertplatz in the rooms of that time living there, "Arturo" acting school, and rehearsed again and again only three or four of us were. What we should not stop them from trying anyway, or at least going to the movies together.
About one to two years elapsed before the Thomas concrete idea of the piece was conceived. At this time, the dynamics of the group was far different: about eight Spielwütigen, young people - some ambitious, and ambitious, while others with less serious in the matter, but the more devout in relation to group together - were ready, the first joint project to be addressed:
William Shakespeare's A Midsummer Night's Dream. (To be continued ..)